{"id":9452,"date":"2016-02-29T11:58:02","date_gmt":"2016-02-29T10:58:02","guid":{"rendered":"https:\/\/wp.muchomaas.com\/article-a-la-rencontre\/"},"modified":"2016-02-29T11:58:02","modified_gmt":"2016-02-29T10:58:02","slug":"article-a-la-rencontre","status":"publish","type":"post","link":"https:\/\/archives.regards.fr\/?p=9452","title":{"rendered":"\u00c0 la rencontre"},"content":{"rendered":"<p class=\"post_excerpt\">Avec &#8220;\u00c0 la rencontre&#8221;, le cin\u00e9ma l&#8217;Archipel \u00e0 Paris offre de d\u00e9couvrir des films en m\u00eame temps que leurs r\u00e9alisateurs\u2026<\/p>\n<p>Toute l&#8217;ann\u00e9e, le cin\u00e9ma l&#8217;Archipel propose, en lien avec le magazine en ligne <a href=\"http:\/\/www.formatcourt.com\/qui-sommes-nous\/presentation\/\"><em>Format Court<\/em><\/a>, de d\u00e9couvrir le travail de r\u00e9alisateurs dont les \u0153uvres sont encore assez peu connues. Courts-m\u00e9trages, longs, fictions ou documentaires se succ\u00e8dent, chaque programmation du rendez-vous &#8220;\u00c0 la rencontre&#8221; s&#8217;accompagnant d&#8217;une rencontre avec le r\u00e9alisateur. <\/p>\n<p>Apr\u00e8s Thomas Salvador, Pamela Varela et Olivier Guidoux, et avant Tommy Weber, c&#8217;est la critique de cin\u00e9ma et r\u00e9alisatrice Pascale Bodet qui pr\u00e9sente son film. Intitul\u00e9 <em>L&#8217;Abondance<\/em>, ce documentaire s&#8217;int\u00e9resse \u00e0 la p\u00eache \u00e0 la palourde dans le golfe du Morbihan. <\/p>\n<p>\u00c0 travers les paroles de p\u00eacheurs, et la proximit\u00e9 avec l&#8217;un d&#8217;eux, Pascale Bodet rend compte de l&#8217;\u00e9volution de cette pratique, de son institutionnalisation. Ce faisant, <em>L&#8217;Abondance<\/em> dessine par petites touches, entre spontan\u00e9it\u00e9 et maladresse, un portrait de ce bout de territoire. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Avec &#8220;\u00c0 la rencontre&#8221;, le cin\u00e9ma l&#8217;Archipel \u00e0 Paris offre de d\u00e9couvrir des films en m\u00eame temps que leurs r\u00e9alisateurs\u2026<\/p>\n","protected":false},"author":1,"featured_media":23021,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[111],"tags":[299],"class_list":["post-9452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nos-selections","tag-cinema"],"_links":{"self":[{"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/posts\/9452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9452"}],"version-history":[{"count":0,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/posts\/9452\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/media\/23021"}],"wp:attachment":[{"href":"https:\/\/archives.regards.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}