Jacques Ranci\u00e8re<\/p>\n
Jacques Ranci\u00e8re pose son regard Jacques Ranci\u00e8re<\/p>\n","protected":false},"author":573,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[111],"tags":[392],"class_list":["post-4831","post","type-post","status-publish","format-standard","hentry","category-nos-selections","tag-essai"],"_links":{"self":[{"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/posts\/4831","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/users\/573"}],"replies":[{"embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4831"}],"version-history":[{"count":0,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/posts\/4831\/revisions"}],"wp:attachment":[{"href":"https:\/\/archives.regards.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4831"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4831"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nsingulier et interrogatif sur
\nun art qui touche l\u00e0 o\u00f9 on ne l\u2019attend
\npas. <\/strong> Son livre parfois ardu
\nest d\u2019abord celui d\u2019un cin\u00e9phile
\n\u2013 mais aussi, quoi qu\u2019il en dise,
\nd\u2019un philosophe. On retiendra
\nla mani\u00e8re dont il ausculte
\nl\u2019inad\u00e9quation entre \u00ab le plaisir
\npris aux ombres projet\u00e9es sur
\nl\u2019\u00e9cran \u00bb et une vision marxiste
\ndu monde. \u00ab Aucune combinaison
\nentre les classiques de
\nla th\u00e9orie marxiste et les classiques
\nde la pens\u00e9e du cin\u00e9ma
\nne m\u2019a permis de d\u00e9cider du
\ncaract\u00e8re id\u00e9aliste ou mat\u00e9rialiste,
\nprogressiste ou r\u00e9actionnaire,
\nd\u2019une mont\u00e9e ou d\u2019une
\ndescente d\u2019escalier \u00bb, \u00e9crit-il \u00e0
\npropos d\u2019une sc\u00e8ne. Les pages
\nsur \u00ab la politique des films \u00bb de
\nPedro Costa ouvrent de belles
\nperspectives de pens\u00e9e.<\/p>\n","protected":false},"excerpt":{"rendered":"