{"id":4545,"date":"2010-07-15T00:00:00","date_gmt":"2010-07-14T22:00:00","guid":{"rendered":"https:\/\/wp.muchomaas.com\/reactiver-la-critique4545\/"},"modified":"2010-07-15T00:00:00","modified_gmt":"2010-07-14T22:00:00","slug":"reactiver-la-critique4545","status":"publish","type":"post","link":"https:\/\/archives.regards.fr\/?p=4545","title":{"rendered":"R\u00e9activer la critique"},"content":{"rendered":"<p>Pr\u00e9fac\u00e9 par le psychanalyste et enseignant en philosophie Bertrand Ogilvie, \u00e9dit\u00e9 chez l&#8217;\u00e9clectique Harmattan, l&#8217;ouvrage de Diane Scott signale d&#8217;embl\u00e9e sa volont\u00e9 de d\u00e9passer les territoires arpent\u00e9s par la critique dramatique. Le modeste nom r\u00e9v\u00e8le, dans une forme stimulante : articles rendant compte, parfois radicalement, toujours m\u00e9thodiquement, d&#8217;exp\u00e9riences esth\u00e9tiques :, une r\u00e9flexion sur les modes d&#8217;existence du th\u00e9\u00e2tre. Une parole dont l&#8217;\u00e9laboration au fil du festival d&#8217;Avignon 2009 porte en elle la force de la trajectoire d&#8217;une pens\u00e9e. Dans cet ?&#8217;objet-com\u00e8te&#8221;, la multiplicit\u00e9 d&#8217;analyses, en ce qu&#8217;elles arrachent le th\u00e9\u00e2tre \u00e0 son isolement de sp\u00e9cialistes pour interroger, \u00e0 travers lui, le politique, nous encouragent \u00e0 leur fr\u00e9quentation r\u00e9guli\u00e8re.<\/p>\n<p>Diane Scott, Carnet critique, Avignon 2009, \u00e9d. L&#8217;Harmattan, collection L&#8217;Art en bref<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pr\u00e9fac\u00e9 par le psychanalyste et enseignant en philosophie Bertrand Ogilvie, \u00e9dit\u00e9 chez l&#8217;\u00e9clectique Harmattan, l&#8217;ouvrage de Diane Scott signale d&#8217;embl\u00e9e sa volont\u00e9 de d\u00e9passer les territoires arpent\u00e9s par la critique dramatique. Le modeste nom r\u00e9v\u00e8le, dans une forme stimulante : articles rendant compte, parfois radicalement, toujours m\u00e9thodiquement, d&#8217;exp\u00e9riences esth\u00e9tiques :, une r\u00e9flexion sur les modes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[141],"tags":[288],"class_list":["post-4545","post","type-post","status-publish","format-standard","hentry","category-archives-web","tag-spectacle-vivant"],"_links":{"self":[{"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/posts\/4545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4545"}],"version-history":[{"count":0,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=\/wp\/v2\/posts\/4545\/revisions"}],"wp:attachment":[{"href":"https:\/\/archives.regards.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archives.regards.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}